Monday, October 30, 2017

CD Odyssey Disc 1067: She & Him

I’ve had a lovely weekend hanging out with friends and dancing – two of my favourite things. And now, some music!

Disc 1067 is…Volume 3
Artist: She & Him

Year of Release: 2013

What’s up with the Cover? Zooey Deschanel and M. Ward stare off into the distance like startled cats. I like the whimsy of this cover.

How I Came To Know It: Volume Two was #56 on that Paste Magazine top 100 indie folk album list I love so much. This led me to exploring the rest of their discography. Of their six albums, this is one of two that I liked enough to buy.

How It Stacks Up:  I have two She & Him albums. This is the lesser of the two, so…second.

Ratings: 3 stars

In the land of manic pixie dream girls, Zooey Deschanel is queen. Being the star of hit movies and TV shows wasn’t enough, and so she got together with fellow musician M. Ward to form She & Him and prove she’s an accomplished musician as well.

Together they sing and compose sixties style pop hits. The songs are upbeat, toe-tapping ditties that would annoy me for being so perfect if Deschanel wasn’t so damned loveable.

Volume 3 is their fourth album (they worked a Christmas record in there that isn’t numbered) and if you know the early stuff there won’t be many surprises. This is bubble gum pop with upbeat melodies and the wonderfully simple production of early radio friendly rock and roll.

Prog and grunge fans reading that last sentence might scoff at the silliness of it all, but they would be wrong. When schmaltzy pop is this good, it transcends any shortcomings of the genre. She & Him will put a smile on the face of even the most hardened musical skeptic.

It all starts with Deschanel’s writing. 11 of the 14 songs are by her, and the other three are classic pop songs of their time. Deschanel’s writing is such good stuff, if you didn’t know ahead of time which were the originals and which ones were the covers, you’d never guess. She has a natural feel for how a song should progress, and (like the classic composers) knows how to end a song with something other than a fadeout or a flourish.

Somebody Sweet To Talk To” is particularly catchy, bringing in elements you might expect on a Shangri-Las album, with a healthy dose of the Supremes. It doesn’t hurt that Deschanel’s tone is exactly what you’d expect from the Queen of the Manic Pixie Girls; sweet and light. When Deschanel sings “I want you” you’d climb over barbed wire to present yourself for the opportunity. Hmmm…no, that’s wrong. A voice like that would never make you climb over barbed wire. Maybe delicately cross a patch of daisies.

The few covers that She & Him have selected are perfect for Deschanel’s vocal style. “Sunday Girl” is the poppiest of all Blondie songs, and in Deschanel’s hands it becomes even sweeter. Deschanel even sings a few of the verses in French and makes it…cuter.

Hold Me, Thrill Me, Kiss Me” lilts away in a way that is more romantic than sexy, but packs plenty of both. This song is over sixty years old, but She & Him remind you that it is about young love, and when performed right, will always feel fresh and young.

In addition to some fine understated guitar work, M. Ward produces the album and he wisely gets out of the way and lets Deschanel do her thing. He adds lighthearted production, featuring a little electric guitar which is always more playful than aggressive. Even when he’s playing an R&B riff, as he does on “Together” M. Ward keeps it cheerful, with a clean picking style and just a hint of reverb that makes it feel a bit like sixties surfer music, crossed with a healthy dose of Motown.

So why only three stars? It was close to four, but too often I found myself wishing I was listening to “Volume Two” where the songs are just a slight cut above. Also, at 14 tracks it is right at the edge of being too long, and I wanted to cut two or three of the lesser tunes to tighten up the overall impact of the record as a whole.

Nevertheless, these are minor quibbles. This album has put a smile on my face and a spring in my step for the past four days. It may not have a lot of deep lessons to teach, but we all need a little “keep on the sunny side” in our lives.

Best tracks: Never Wanted Your Love, Baby, I Could’ve Been Your Girl, Somebody Sweet to Talk To, Together, Sunday Girl

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